Diversions at UMFK: NYT 100 Notable books of 2023

"The first thing we did was change our names. We were going to be Sappho," so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: "I want to make life fuller and fuller."

Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past.

A Black sheriff. A serial killer. A small town ready to combust. Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, quiet Charon has had only two murders. But after years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface.

Then a year to the day after Titus's election, a school teacher is killed by a former student and the student is fatally shot by Titus's deputies. As Titus investigates the shootings, he unearths terrible crimes and a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon.

With the killer's possible connections to a local church and the town's harrowing history weighing on him, Titus projects confidence about closing the case while concealing a painful secret from his own past. At the same time, he also has to contend with a far-right group that wants to hold a parade in celebration of the town's Confederate history.

Charon is Titus's home and his heart. But where faith and violence meet, there will be a reckoning.

From the author of Skippy Dies comes Paul Murray's The Bee Sting, an irresistibly funny, wise, and thought-provoking tour de force about family, fortune, and the struggle to be a good person when the world is falling apart.

The Barnes family is in trouble. Dickie's once-lucrative car business is going under--but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he's on the brink of running away.

If you wanted to change this story, how far back would you have to go? To the infamous bee sting that ruined Imelda's wedding day? To the car crash one year before Cass was born? All the way back to Dickie at ten years old, standing in the summer garden with his father, learning how to be a real man?

The Bee Sting, Paul Murray's exuberantly entertaining new novel, is a tour de force: a portrait of postcrash Ireland, a tragicomic family saga, and a dazzling story about the struggle to be good at the end of the world.

When X--an iconoclastic artist, writer, and polarizing shape-shifter--falls dead in her office, her widow, CM, wild with grief and refusing everyone's good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM knows where X was born, and in her quest to find out, she opens a Pandora's box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, and which finally, in the present day, is being forced into an uneasy reunification.

A masterfully constructed literary adventure complete with original images assembled by X's widow, Biography of X follows CM as she traces X's peripatetic trajectory over decades, from Europe to the ruins of America's divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. At last, when she finally understands the scope of X's defining artistic project, CM realizes her wife's deceptions were far crueler than she imagined.

Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.

The Booker Prize-winning author of The Luminaries brings us Birnam Wood, a gripping thriller of high drama and kaleidoscopic insight into what drives us to survive.

Birnam Wood is on the move . . . A landslide has closed the Korowai Pass on New Zealand's South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster presents an opportunity for Birnam Wood, an undeclared, unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. To occupy the farm at Thorndike would mean a shot at solvency at last.

But the enigmatic American billionaire Robert Lemoine also has an interest in the place: he has snatched it up to build his end-times bunker, or so he tells Birnam's founder, Mira, when he catches her on the property. He's intrigued by Mira, and by Birnam Wood; although they're poles apart politically, it seems Lemoine and the group might have enemies in common. But can Birnam trust him? And, as their ideals and ideologies are tested, can they trust one another?

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book--Sex Variants: A Study of Homosexual Patterns--and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan's tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?

A book about storytelling--its legacies, dangers, delights, and potential for change--and a bold exploration of form, art, and love, Justin Torres's Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made--a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

Masterfully blending elements of psychological suspense and true crime, Jessica Knoll--author of the bestselling novel Luckiest Girl Alive and the writer behind the Netflix adaption starring Mila Kunis--delivers a new and exhilarating thriller in Bright Young Women. The book opens on a Saturday night in 1978, hours before a soon-to-be-infamous murderer descends upon a Florida sorority house with deadly results. The lives of those who survive, including sorority president and key witness, Pamela Schumacher, are forever changed. Across the country, Tina Cannon is convinced her missing friend was targeted by the man papers refer to as the All-American Sex Killer--and that he's struck again. Determined to find justice, the two join forces as their search for answers leads to a final, shocking confrontation.

She felt their eyes, all those executioners... Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of the Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly popular, highly controversial profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators, and prisoners are competing for the ultimate prize: their freedom.

In CAPE, prisoners travel as Links in Chain-Gangs, competing in death matches before packed arenas with righteous protestors at the gates. Thur­war and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, Thurwar considers how she might help preserve their humanity, in defiance of these so-called games. But CAPE's corporate owners will stop at nothing to protect their status quo, and the obstacles they lay in Thurwar's path have devastating consequences.

Moving from the Links in the field to the protestors, to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alli­ance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means from a "new and necessary American voice" (Tommy Orange, The New York Times Book Review).

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India's Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning--and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala's long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl--and future matriarch, known as Big Ammachi--will witness unthinkable changes over the span of her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants.

A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and to human understanding, and a humbling testament to the difficulties undergone by past generations for the sake of those alive today. It is one of the most masterful literary novels published in recent years.

The two-time Pulitzer Prize winner and bestselling author of Harlem Shuffle continues his Harlem saga in a powerful and hugely-entertaining novel that summons 1970s New York in all its seedy glory.

It's 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. His days moving stolen goods around the city are over. It's strictly the straight-and-narrow for him -- until he needs Jackson 5 tickets for his daughter May and he decides to hit up his old police contact Munson, fixer extraordinaire. But Munson has his own favors to ask of Carney and staying out of the game gets a lot more complicated - and deadly.

1973. The counter-culture has created a new generation, the old ways are being overthrown, but there is one constant, Pepper, Carney's endearingly violent partner in crime. It's getting harder to put together a reliable crew for hijackings, heists, and assorted felonies, so Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem. He finds himself in a freaky world of Hollywood stars, up-and-coming comedians, and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters, and hit men. These adversaries underestimate the seasoned crook - to their regret.

1976. Harlem is burning, block by block, while the whole country is gearing up for Bicentennial celebrations. Carney is trying to come up with a July 4th ad he can live with. ("Two Hundred Years of Getting Away with It!"), while his wife Elizabeth is campaigning for her childhood friend, the former assistant D.A and rising politician Alexander Oakes. When a fire severely injures one of Carney's tenants, he enlists Pepper to look into who may be behind it. Our crooked duo have to battle their way through a crumbling metropolis run by the shady, the violent, and the utterly corrupted.

CROOK MANIFESTO is a darkly funny tale of a city under siege, but also a sneakily searching portrait of the meaning of family. Colson Whitehead's kaleidoscopic portrait of Harlem is sure to stand as one of the all-time great evocations of a place and a time.

From the bestselling author of Ohio, a masterful American epic charting a near future approaching collapse and a nascent but strengthening solidarity.

In the first decades of the 21st century, the world is convulsing, its governments mired in gridlock while a patient but unrelenting ecological crisis looms. America is in upheaval, battered by violent weather and extreme politics. In California in 2013, Tony Pietrus, a scientist studying deposits of undersea methane, receives a death threat. His fate will become bound to a stunning cast of characters--a broken drug addict, a star advertising strategist, a neurodivergent mathematician, a cunning eco-terrorist, an actor turned religious zealot, and a brazen young activist named Kate Morris, who, in the mountains of Wyoming, begins a project that will alter the course of the decades to come.

From the Gulf Coast to Los Angeles, the Midwest to Washington, DC, their intertwined odysseys unfold against a stark backdrop of accelerating chaos as they summon courage, galvanize a nation, fall to their own fear, and find wild hope in the face of staggering odds. As their stories hurtle toward a spectacular climax, each faces a reckoning: what will they sacrifice to salvage humanity's last chance at a future? A singular achievement, The Deluge is a once-in-a-generation novel that meets the moment as few works of art ever have.

Eastbound is both an adventure story and a duet of two vibrant inner worlds.

In mysterious, winding sentences gorgeously translated by Jessica Moore, De Kerangal gives us the story of two unlikely souls entwined in a quest for freedom with a striking sense of tenderness, sharply contrasting the brutality of the surrounding world.

Racing toward Vladivostok, we meet the young Aliocha, packed onto a Trans-Siberian train with other Russian conscripts. Soon after boarding, he decides to desert and over a midnight smoke in a dark corridor of the train, he encounters an older French woman, Hélène, for whom he feels an uncanny trust.

A complicity quickly grows between the two when he manages to urgently ask--through a pantomime and basic Russian that Hélène must decipher--for her help to hide him. They hurry from the filth of his third-class carriage to Hélène's first-class sleeping car. Aliocha now a hunted deserter and Hélène his accomplice with her own inner landscape of recent memories to contend with.

Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world's first encyclopedia of faerie lore. But Emily Wilde is not good at people. She could never make small talk at a party--or even get invited to one. And she prefers the company of her books, her dog, Shadow, and the Fair Folk to other people.

So when she arrives in the hardscrabble village of Hrafnsvik, Emily has no intention of befriending the gruff townsfolk. Nor does she care to spend time with another new arrival: her dashing and insufferably handsome academic rival Wendell Bambleby, who manages to charm the townsfolk, muddle Emily's research, and utterly confound and frustrate her. But as Emily gets closer and closer to uncovering the secrets of the Hidden Ones--the most elusive of all faeries--lurking in the shadowy forest outside the town, she also finds herself on the trail of another mystery: Who is Wendell Bambleby, and what does he really want? To find the answer, she'll have to unlock the greatest mystery of all--her own heart. Book One of the Emily Wilde Series

After years away from her family's homeland, and reeling from a disastrous love affair, actress Sonia Nasir returns to Haifa to visit her older sister Haneen. This is her first trip back since the second intifada and the deaths of their grandparents: while Haneen made a life here commuting to Tel Aviv to teach at the university, Sonia remained in London to focus on her acting career and now dissolute marriage.

On her return, she finds her relationship to Palestine is fragile, both bone-deep and new. At Haneen's, Sonia meets the charismatic and candid Mariam, a local director, and finds herself roped into a production of Hamlet in the West Bank. Sonia is soon rehearsing Gertude's lines in Classical Arabic and spending more time in Ramallah than Haifa, along with a dedicated group of men from all over historic Palestine who, in spite of competing egos and priorities, each want to bring Shakespeare to that side of the wall. As opening night draws closer it becomes clear just how many violent obstacles stand before a troupe of Palestinian actors. Amidst it all, the life Sonia once knew starts to give way to the daunting, exhilarating possibility of finding a new self in her ancestral home.

A stunning rendering of present-day Palestine, Enter Ghost is a story of diaspora, displacement, and the connection to be found in family and shared resistance. Timely, thoughtful, and passionate, Isabella Hammad's highly anticipated second novel is an exquisite feat, an unforgettable story of artistry under occupation.

With a foreword by Jhumpa Lahiri, Forbidden Notebook is a classic domestic novel by the Italian-Cuban feminist writer Alba de Céspedes, whose work inspired contemporary writers like Elena Ferrante. In this modern translation by acclaimed Elena Ferrante translator Ann Goldstein, Forbidden Notebook centers the inner life of a dissatisfied housewife living in postwar Rome.

Valeria Cossati never suspected how unhappy she had become with the shabby gentility of her bourgeois life--until she begins to jot down her thoughts and feelings in a little black book she keeps hidden in a closet. This new secret activity leads her to scrutinize herself and her life more closely, and she soon realizes that her individuality is being stifled by her devotion and sense of duty toward her husband, daughter, and son. As the conflicts between parents and children, husband and wife, and friends and lovers intensify, what goes on behind the Cossatis' facade of middle-class respectability gradually comes to light, tearing the family's fragile fabric apart.

An exquisitely crafted portrayal of domestic life, Forbidden Notebook recognizes the universality of human aspirations.

From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story--and who gets to be believed.

It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper--and cousin by marriage--of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.

Andrew Bogle, meanwhile, grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story.

The "Tichborne Trial"--wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title--captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task. . . .

Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity and the mystery of "other people."

"Where are you from . . . ? No--where are you from from?" It's a question every Asian American gets asked as part of an incessant chorus saying you'll never belong here, you're a perpetual foreigner, you'll always be seen as an alien, an object, or a threat.

Monica Youn's From From brilliantly evokes the conflicted consciousness of deracination. If you have no core of "authenticity," no experience of your so-called homeland, how do you piece together an Asian American identity out of Westerners' ideas about Asians? Your sense of yourself is part stereotype, part aspiration, part guilt. In this dazzling collection, one sequence deconstructs the sounds and letters of the word "deracinations" to create a sonic landscape of micro- and macroaggressions, assimilation, and self-doubt. A kaleidoscopic personal essay explores the racial positioning of Asian Americans and the epidemic of anti-Asian hate. Several poems titled "Study of Two Figures" anatomize and dissect the Asian other: Midas the striving, nouveau-riche father; Dr. Seuss and the imaginary daughter Chrysanthemum-Pearl he invented while authoring his anti-Japanese propaganda campaign; Pasiphaë, mother of the minotaur, and Sado, the eighteenth-century Korean prince, both condemned to containers allegorical and actual.

From From is an extraordinary collection by a poet whose daring and inventive works are among the most vital in contemporary literature.

After many lonely years, Abby's just gotten married. She met her new husband--a recently widowed dentist--when he arrived in town with his young daughter, seeking a new start. Although it's strange living in the shadow of her predecessor, Abby does her best to be a good wife and mother. But the more she learns about her new husband's first wife, the more things don't add up. And Abby starts to wonder . . . was Sheila's death really by natural causes? As Abby sinks deeper into confusion, Sheila's memory seems to become a force all its own, ensnaring Abby in a mystery that leaves her obsessed, fascinated, and desperately in love for the first time in her life.

Emily's masterful balance of black and white, surreal colors, rich textures, and dramatic lettering is assured to bring this story to life and give readers a chill up their spine as they read.

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe's theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe.

As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community--heaven and earth--that sustain us.

Bringing his masterly storytelling skills and his deep faith in humanity to The Heaven & Earth Grocery Store, James McBride has written a novel as compassionate as Deacon King Kong and as inventive as The Good Lord Bird.

William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him--so when he meets the spirited and ambitious Julia Padavano in his freshman year of college, it's as if the world has lit up around him. With Julia comes her family, as she and her three sisters are inseparable: Sylvie, the family's dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all. With the Padavanos, William experiences a newfound contentment; every moment in their house is filled with loving chaos.

But then darkness from William's past surfaces, jeopardizing not only Julia's carefully orchestrated plans for their future, but the sisters' unshakeable devotion to one another. The result is a catastrophic family rift that changes their lives for generations. Will the loyalty that once rooted them be strong enough to draw them back together when it matters most?

An exquisite homage to Louisa May Alcott's timeless classic, Little Women, Hello Beautiful is a profoundly moving portrait of what is possible when we choose to love someone not in spite of who they are, but because of it.

In 1898, Pirbhai, a teenage boy looking for work, is taken from his village in India to labor for the British on the East African Railway. Far from home, Pirbhai commits a brutal act in the name of survival that will haunt him and his family for years to come.

So begins Janika Oza's masterful, richly told epic, where the embers of this desperate act are fanned into flame over four generations, four continents, throughout the twentieth century. Pirbhai's children are born in Uganda during the waning days of British colonial rule, and as the country moves toward independence, his granddaughters, three sisters, come of age in a divided nation. Latika is an aspiring journalist, who will put everything on the line for what she believes in; Mayuri's ambitions will take her farther away from home than she ever imagined; and fearless Kiya will have to carry the weight of her family's silence and secrets.

In 1972, the entire family is forced to flee under Idi Amin's military dictatorship. Pirbhai's grandchildren are now scattered across the world, struggling to find their way back to each other. One day a letter arrives with news that makes each generation question how far they are willing to go, and who they are willing to defy, to secure their own place in the world.

A History of Burning is an unforgettable tour de force, an intimate family saga of complicity and resistance, about the stories we share, the ones that remain unspoken, and the eternal search for home.

Stephen King's Holly marks the triumphant return of beloved King character Holly Gibney. Readers have witnessed Holly's gradual transformation from a shy (but also brave and ethical) recluse in Mr. Mercedes to Bill Hodges's partner in Finders Keepers to a full-fledged, smart, and occasionally tough private detective in The Outsider. In King's new novel, Holly is on her own, and up against a pair of unimaginably depraved and brilliantly disguised adversaries.

When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just died. And Holly is meant to be on leave. But something in Penny Dahl's desperate voice makes it impossible for Holly to turn her down. Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: married octogenarians, devoted to each other, and semi-retired lifelong academics. But they are harboring an unholy secret in the basement of their well-kept, book-lined home, one that may be related to Bonnie's disappearance. And it will prove nearly impossible to discover what they are up to: they are savvy, they are patient, and they are ruthless.

Holly must summon all her formidable talents to outthink and outmaneuver the shockingly twisted professors in this chilling new masterwork from Stephen King.

In the early hours of June 14, 2017, the world watches as flames leap up the sides of a residential high-rise in West London, consuming Grenfell Tower and many of the lives within it. Across town, an earlier spark has caught fire. A cigarette left burning in an ashtray. A table strewn with post-it reminders and old newspapers. And one Cornelius Winston Pitt--estranged husband, complicated dad, and Pitt family patriarch--takes his final breaths alone.

These twin tragedies open Diana Evans's A House for Alice, an aching portrait of a family of women shaken by loss and searching for closure. At the novel's center is Alice herself, the Pitt matriarch who, after fifty years in England, now longs to live out her final years in her homeland of Nigeria. Her three daughters are torn on the issue of whether she stays or goes, and while youngest sibling Melissa also grapples with the embers of her own failed relationship, the Pitt family's foundational pillars--of trust, love, and cultural identity--begin to crack.

Intimately drawn and set against a fraught political backdrop, yet equally full of hope, humor, and humanity, A House for Alice traces the scars of grief and betrayal across generations and uncovers the secrets we keep from those closest to us.

When Emily Wilson's translation of The Odyssey appeared in 2017--revealing the ancient poem in a contemporary idiom that was "fresh, unpretentious and lean" --critics lauded it as "a revelation" and "a cultural landmark" that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of Homer's other great epic--the most revered war poem of all time.

The Iliad roars with the clamor of arms, the bellowing boasts of victors, the fury and grief of loss, and the anguished cries of dying men. It sings, too, of the sublime magnitude of the world--the fierce beauty of nature and the gods' grand schemes beyond the ken of mortals. In Wilson's hands, this thrilling, magical, and often horrifying tale now gallops at a pace befitting its legendary battle scenes, in crisp but resonant language that evokes the poem's deep pathos and reveals palpably real, even "complicated," characters--both human and divine.

The culmination of a decade of intense engagement with antiquity's most surpassingly beautiful and emotionally complex poetry, Wilson's Iliad now gives us a complete Homer for our generation.

In this spellbinding debut novel, two estranged half-sisters tasked with guarding their family's library of magical books must work together to unravel a deadly secret at the heart of their collection--a tale of familial loyalty and betrayal, and the pursuit of magic and power.

For generations, the Kalotay family has guarded a collection of ancient and rare books. Books that let a person walk through walls or manipulate the elements--books of magic that half-sisters Joanna and Esther have been raised to revere and protect. All magic comes with a price, though, and for years the sisters have been separated. Esther has fled to a remote base in Antarctica to escape the fate that killed her own mother, and Joanna's isolated herself in their family home in Vermont, devoting her life to the study of these cherished volumes. But after their father dies suddenly while reading a book Joanna has never seen before, the sisters must reunite to preserve their family legacy. In the process, they'll uncover a world of magic far bigger and more dangerous than they ever imagined, and all the secrets their parents kept hidden; secrets that span centuries, continents, and even other libraries . . .

In the great tradition of Ninth House, The Magicians, and Practical Magic, this is a suspenseful and richly atmospheric novel that draws readers into a vast world filled with mystery and magic, romance, and intrigue--and marks the debut of an extraordinary new voice in speculative fiction.

Jenny Erpenbeck is an epic storyteller and arguably the most powerful voice in contemporary German literature. Erpenbeck's new novel Kairos--an unforgettably compelling masterpiece--tells the story of the romance begun in East Berlin at the end of the 1980s when nineteen-year-old Katharina meets by chance a married writer in his fifties named Hans. Their passionate yet difficult long-running affair takes place against the background of the declining GDR, through the upheavals wrought by its dissolution in 1989 and then what comes after. In her unmistakable style and with enormous sweep, Erpenbeck describes the path of two lovers, as Katharina grows up and tries to come to terms with a not always ideal romance, even as a whole world with its own ideology disappears.

As the Times Literary Supplement writes: "The weight of history, the particular experiences of East and West, and the ways in which cultural and subjective memory shape individual identity has always been present in Erpenbeck's work. She knows that no one is all bad, no state all rotten, and she masterfully captures the existential bewilderment of this period between states and ideologies."

A kaleidoscopic portrait of one family's displacement across four countries, Kantika--"song" in Ladino--follows the joys and losses of Rebecca Cohen, feisty daughter of the Sephardic elite of early 20th-century Istanbul. When the Cohens lose their wealth and are forced to move to Barcelona and start anew, Rebecca fashions a life and self from what comes her way--a failed marriage, the need to earn a living, but also passion, pleasure and motherhood. Moving from Spain to Cuba to New York for an arranged second marriage, she faces her greatest challenge--her disabled stepdaughter, Luna, whose feistiness equals her own and whose challenges pit new family against old.

Exploring identity, place and exile, Kantika also reveals how the female body--in work, art and love--serves as a site of both suffering and joy. A haunting, inspiring meditation on the tenacity of women, this lush, lyrical novel from Elizabeth Graver celebrates the insistence on seizing beauty and grabbing hold of one's one and only life.

A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world's troubles. There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global elite, one that reawakens the chef to the pleasures of taste, touch, and her own body.

In this atmosphere of hidden wonders and cool, seductive violence, the chef's boundaries undergo a thrilling erosion. Soon she is pushed to the center of a startling attempt to reshape the world far beyond the plate.

Sensuous and surprising, joyous and bitingly sharp, told in language as alluring as it is original, Land of Milk and Honey lays provocatively bare the ethics of seeking pleasure in a dying world. It is a daringly imaginative exploration of desire and deception, privilege and faith, and the roles we play to survive. Most of all, it is a love letter to food, to wild delight, and to the transformative power of a woman embracing her own appetite.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It's locked at all times. Because when the trunk opens, people around Adelaide start to disappear. The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will become one of the "lone women" taking advantage of the government's offer of free land for those who can tame it-except that Adelaide isn't alone. And the secret she's tried so desperately to lock away might be the only thing that will help her survive the harsh territory.

Crafted by a modern master of magical suspense, Lone Women blends shimmering prose, an unforgettable cast of adventurers who find horror and sisterhood in a brutal landscape, and a portrait of early-twentieth-century America like you've never seen. And at its heart is the gripping story of a woman desperate to bury her past-or redeem it.

Monica is a series of interconnected narratives that collectively tell the life story -- actually, stories -- of its title character. Clowes calls upon a lifetime of inspiration to create the most complex and personal graphic novel of his distinguished career. Rich with visual detail, an impeccable ear for language and dialogue, and thrilling twists, Monica is a multilayered masterpiece in comics form that alludes to many of the genres that have defined the medium -- war, romance, horror, crime, the supernatural, etc. -- but in a mysterious, uncategorizable, and quintessentially Clowesian way that rewards multiple readings.

Five years in the making, Monica marks the apex of creativity from one of the defining voices of the graphic novel boom over the past quarter-century.

A gripping literary mystery in the vein of Bolaño's Savage Detectives, this coming-of-age novel unravels the fascinating life of a maligned Black author, based on Yambo Ouologuem.

In 2018, Diégane Latyr Faye, a young Senegalese writer in Paris, discovers a legendary book from the 1930s, The Labyrinth of Inhumanity. No one knows what became of its author, once hailed as the "Black Rimbaud," after the book caused a scandal. Enthralled by this mystery, Diégane decides to search for T.C. Elimane, going down a path that will force him to confront the great tragedies of history, from colonialism to the Holocaust.

Alongside his investigation, Diégane becomes part of a group of young African writers in Paris. Together they talk, drink, make love, philosophize about the role of exile in artistic creation. Diégane grows particularly close to two women: the seductive Siga, who holds so many secrets, and the photojournalist Aïda, impossible to pin down.

The Most Secret Memory of Men is an astonishing novel about the choice between living and writing, and the desire to transcend the divide between Africa and the West.

An abandoned restaurant on a hill off the highway in Western Massachusetts doesn't look like much. But to Rio, a young Black woman bereft after the loss of her newborn child, this hill becomes more than a safe haven--it becomes a place to start over. She convinces her husband to help her construct a society underground, somewhere safe, somewhere everyone can feel loved, wanted, and accepted, where the children learn actual history, where everyone has an equal shot.

She locates a Benefactor and soon their utopia begins to take shape. Two unhoused men hear about it and immediately begin their journey by bus from Chicago to get there. A young and disillusioned journalist stumbles upon it and wants in. And a former soccer player, having lost his footing in society, is persuaded to check it out too. But no matter how much these people all yearn for meaning and a sanctuary from the existential dread of life above the surface, what happens if this new society can't actually work? What then?

From one of the most exciting new literary voices out there, The New Naturals is fresh and deeply perceptive, capturing the absurdity of life in the 21st century, for readers of Paul Beatty's The Sellout and Jennifer Egan's The Candy House. In this remarkable feat of imagination, Bump shows us that, ultimately, it is our love for and connection to each other that will save us.

When two young lovers abscond from a Puritan colony, little do they know that their humble cabin in the woods will become the home of an extraordinary succession of human and nonhuman characters alike. An English soldier, destined for glory, abandons the battlefields of the New World to devote himself to growing apples. A pair of spinster twins navigate war and famine, envy and desire. A crime reporter unearths an ancient mass grave--only to discover that the earth refuse to give up their secrets. A lovelorn painter, a sinister con man, a stalking panther, a lusty beetle: As the inhabitants confront the wonder and mystery around them, they begin to realize that the dark, raucous, beautiful past is very much alive.

This magisterial and highly inventive novel from Pulitzer Prize finalist Daniel Mason brims with love and madness, humor and hope. Following the cycles of history, nature, and even language, North Woods shows the myriad, magical ways in which we're connected to our environment, to history, and to one another. It is not just an unforgettable novel about secrets and destinies, but a way of looking at the world that asks the timeless question: How do we live on, even after we're gone?

Not Even the Dead is the story of a pursuit that transcends territories and centuries; a hallucinatory journey from 1500s colonial Mexico to Trump's Border Wall.

The conquest of Mexico is over, and Juan de Toñanes is just one of the many inglorious soldiers eking a small existence on the land he helped conquer. When he receives one last mission, to hunt down a renegade Indian who calls himself the Padre and preaches a dangerous heresy, Juan realizes it may be his last chance to create the future he's always dreamed of. But as he moves deep into the unexplored northern territory, hot on the Padre's trail, Juan discovers the traces of a man who appears to be, in fact, a prophet destined to transform his own time, and possibly future to come. On his quest, Juan will encounter old conquistadors on horseback and migrants riding the roofs of the trains, rebellious Indians and peasants waiting patiently for a better world, Mexican revolutionaries brandishing their rifles and women murdered in the desert of Ciudad Juárez, all sharing the same landscape and the same hope: that the arrival of the Padre will bring ever elusive justice to the oppressed.

There is the before and the after. Withering in the maternal prison of her apartment, a new mother finds herself spiraling into a state of complete disaffection. As a translator, she is usually happy to spend her days as the invisible interpreter. But now home alone with her newborn, she is ill at ease with this state of perpetual giving, carrying, feeding. The instinct to keep her baby safe conflicts with the intrusive thoughts of causing the baby harm, and she struggles to reclaim her identity just as it seems to dissolve from underneath her.

Feeling isolated from her supportive but ineffectual husband, she strikes up a tentative friendship with her ailing upstairs neighbor, Peter, who hushes the baby with his oxygen tank in tow. But they are both running out of time; something is soon to crack. Joyful early days of her pregnancy mingle with the anxious arrival of the baby, and culminate in a painful confrontation - mostly, between our narrator and herself. Striking and emotive, The Nursery documents the slow process of staggering back towards the simple pleasures of life and reentering the world after post-partum depression.

A young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, the pair travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality.

For Gaspar, the son, this maniacal cult is his destiny. As the Order tries to pull him into their evil, he and his father take flight, attempting to outrun a powerful clan that will do anything to ensure its own survival. But how far will Gaspar's father go to protect his child? And can anyone escape their fate?

Moving back and forth in time, from London in the swinging 1960s to the brutal years of Argentina's military dictatorship and its turbulent aftermath, Our Share of Night is a novel like no other: a family story, a ghost story, a story of the occult and the supernatural, a book about the complexities of love and longing with queer subplots and themes. This is the masterwork of one of Latin America's most original novelists, "a mesmerizing writer," says Dave Eggers, "who demands to be read."

A deliciously funny, sharply observed debut of family, love, and class, this zeitgeisty novel follows three women in one wealthy Brooklyn clan.

Darley, the eldest daughter in the well-connected old money Stockton family, followed her heart, trading her job and her inheritance for motherhood but giving up far too much in the process; Sasha, a middle-class New England girl, has married into the Brooklyn Heights family, and finds herself cast as the arriviste outsider; and Georgiana, the baby of the family, has fallen in love with someone she can't have, and must decide what kind of person she wants to be.

Rife with the indulgent pleasures of life among New York's one-percenters, Pineapple Street is a smart, escapist novel that sparkles with wit. Full of recognizable, loveable--if fallible--characters, it's about the peculiar unknowability of someone else's family, the miles between the haves and have-nots, and the insanity of first love--all wrapped in a story that is a sheer delight.

Gracetown, Florida, June 1950. Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie's journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.

Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it's too late.

The Reformatory is a haunting work of historical fiction written as only American Book Award-winning author Tananarive Due could, by piecing together the life of the relative her family never spoke of and bringing his tragedy and those of so many others at the infamous Dozier School for Boys to the light in this riveting novel.

The Saint of Bright Doors sets the high drama of divine revolutionaries and transcendent cults against the mundane struggles of modern life, resulting in a novel that is revelatory and resonant.

Fetter was raised to kill, honed as a knife to cut down his sainted father. This gave him plenty to talk about in therapy.

He walked among invisible powers: devils and anti-gods that mock the mortal form. He learned a lethal catechism, lost his shadow, and gained a habit for secrecy. After a blood-soaked childhood, Fetter escaped his rural hometown for the big city, and fell into a broader world where divine destinies are a dime a dozen.

Everything in Luriat is more than it seems. Group therapy is recruitment for a revolutionary cadre. Junk email hints at the arrival of a god. Every door is laden with potential, and once closed may never open again. The city is scattered with Bright Doors, looming portals through which a cold wind blows. In this unknowable metropolis, Fetter will discover what kind of man he is, and his discovery will rewrite the world.

In 1919, far-flung patriots establish the Korean Provisional Government to protest the Japanese occupation of their country. This government-in-exile proves mostly symbolic, though, and after Japan's defeat in World War II, the KPG dissolves and civil war erupts, resulting in the tragic North-South split that remains today.

But what if the KPG still existed-now working toward a unified Korea, secretly pulling levers to further its aims? Same Bed Different Dreams weaves together three distinct narrative voices with an archive of mysterious images, and twists reality like a kaleidoscope. Korean history, American pop culture, and our tech-fraught lives come together in this extraordinary and unforgettable novel.

Soon Sheen, a former writer now employed by the tech behemoth GLOAT, comes into possession of an unfinished book seemingly authored by the KPG. The manuscript is a riveting revisionist history, connecting famous names and obscure bit players to the KPG's grand project-everyone from Syngman Rhee and architect-poet Yi Sang to Jack London and Marilyn Monroe. M*A*S*H is in here, too, as are the Moonies and a history of violence extending from the assassination of President McKinley to the Reagan-era downing of a passenger plane that puts the world on the brink of war. From the acclaimed author of Personal Days, Same Bed Different Dreams is a raucously funny feat of imagination and a thrilling meld of history and fiction that pulls readers into another dimension-one in which utopia is possible.

Set in the Allegheny Mountains of Appalachia, Take What You Need traces the parallel lives of Jean and her beloved but estranged stepdaughter, Leah, who's sought a clean break from her rural childhood. In Leah's urban life with her young family, she's revealed little about Jean, how much she misses her stepmother's hard-won insights and joyful lack of inhibition. But with Jean's death, Leah must return to sort through what's been left behind.

What Leah discovers is staggering: Jean has filled her ramshackle house with giant sculptures she's welded from scraps of the area's industrial history. There's also a young man now living in the house who played an unknown role in Jean's last years and in her art.

With great verve and humor, Idra Novey zeros in on the joys and difficulty of family, the ease with which we let distance mute conflict, and the power we can draw from creative pursuits.

Take What You Need explores the continuing mystery of the people we love most with passionate and resonance, this novel illuminating can be built from what others have discarded--art, unexpected friendship, a new contentment of self.

In 1792, formerly enslaved Benjamin Honey and his Irish wife, Patience, discover an island where they can make a life together. Over a century later, the Honeys' descendants and a diverse group of neighbors are desperately poor, isolated, and often hungry, but nevertheless protected from the hostility awaiting them on the mainland.

During the tumultuous summer of 1912, Matthew Diamond, a retired, idealistic but prejudiced schoolteacher-turned-missionary, disrupts the community's fragile balance through his efforts to educate its children. His presence attracts the attention of authorities on the mainland who, under the influence of the eugenics-thinking popular among progressives of the day, decide to forcibly evacuate the island, institutionalize its residents, and develop the island as a vacation destination. Beginning with a hurricane flood reminiscent of the story of Noah's Ark, the novel ends with yet another Ark.

In prose of breathtaking beauty and power, Paul Harding brings to life an unforgettable cast of characters: Iris and Violet McDermott, sisters raising three orphaned Penobscot children; Theophilus and Candace Larks and their brood of vagabond children; the prophetic Zachary Hand to God Proverbs, a Civil War veteran who lives in a hollow tree; and more. A spellbinding story of resistance and survival, This Other Eden is an enduring testament to the struggle to preserve human dignity in the face of intolerance and injustice.

In the spring of 2020, Lara's three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

Tom Lake is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart. As in all of her novels, Ann Patchett combines compelling narrative artistry with piercing insights into family dynamics. The result is a rich and luminous story, told with profound intelligence and emotional subtlety, that demonstrates once again why she is one of the most revered and acclaimed literary talents working today.

From the moment Ava Carson and her ten-year-old son, Toussaint, arrive at the Glenn Avenue family shelter in Philadelphia 1985, Ava is already plotting a way out. She is repulsed by the shelter's squalid conditions: their cockroach-infested room, the barely edible food, and the shifty night security guard. She is determined to rescue her son from the perils and indignities of that place, and to save herself from the complicated past that led them there.

Ava has been estranged from her own mother, Dutchess, since she left her Alabama home as a young woman barely out of her teens. Despite their estrangement and the thousand miles between them, mother and daughter are deeply entwined, but Ava can't forgive her sharp-tonged, larger than life mother whose intractability and bouts of debilitating despair brought young Ava to the outer reaches of neglect and hunger.

Ava wants to love her son differently, better. But when Toussaint's father, Cass, reappears, she is swept off course by his charisma, and the intoxicating power of his radical vision to destroy systems of racial injustice and bring about a bold new way of communal living.

Meanwhile, in Alabama, Dutchess struggles to keep Bonaparte, once a beacon of Black freedom and self-determination, in the hands of its last five Black residents--families whose lives have been rooted in this stretch of land for generations--and away from rapidly encroaching white developers. She fights against the erasure of Bonaparte's venerable history and the loss of the land itself, which she has so arduously preserved as Ava's inheritance.

As Ava becomes more enmeshed with Cass, Toussaint senses the danger simmering all around him--his well-intentioned but erratic mother; the intense, volatile figure of his father who drives his fledgling Philadelphia community toward ever increasing violence and instability. He begins to dream of Dutchess and Bonaparte, his home and birthright, if only he can find his way there.

In the wake of an unimportant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for a goddess, who begins to speak out of the girl's mouth. Granting her powers beyond Pampa Kampana's comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga--"victory city"--the wonder of the world.

Over the next 250 years, Pampa Kampana's life becomes deeply interwoven with Bisnaga's, from its literal sowing from a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on the task that the goddess set for her: to give women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry--with Pampa Kampana at its center.

Brilliantly styled as a translation of an ancient epic, Victory City is a saga of love, adventure, and myth that is in itself a testament to the power of storytelling.

Casey McQuiston meets The Seven Husbands of Evelyn Hugo in this mid-century grumpy/sunshine rom-dram about a scrappy reporter and a newspaper mogul's son.

Nick Russo has worked his way from a rough Brooklyn neighborhood to a reporting job at one of the city's biggest newspapers. But the late 1950s are a hostile time for gay men, and Nick knows that he can't let anyone into his life. He just never counted on meeting someone as impossible to say no to as Andy.

Andy Fleming's newspaper-tycoon father wants him to take over the family business. Andy, though, has no intention of running the paper. He's barely able to run his life--he's never paid a bill on time, routinely gets lost on the way to work, and would rather gouge out his own eyes than deal with office politics. Andy agrees to work for a year in the newsroom, knowing he'll make an ass of himself and hate every second of it.

Except, Nick Russo keeps rescuing Andy: showing him the ropes, tracking down his keys, freeing his tie when it gets stuck in the ancient filing cabinets. Their unlikely friendship soon sharpens into feelings they can't deny. But what feels possible in secret--this fragile, tender thing between them--seems doomed in the light of day. Now Nick and Andy have to decide if, for the first time, they're willing to fight.

Eleven-year-old Gopi has been playing squash since she was old enough to hold a racket. When her mother dies, her father enlists her in a quietly brutal training regimen, and the game becomes her world. Slowly, she grows apart from her sisters. Her life is reduced to the sport, guided by its rhythms: the serve, the volley, the drive, the shot and its echo.

But on the court, she is not alone. She is with her pa. She is with Ged, a thirteen-year-old boy with his own formidable talent. She is with the players who have come before her. She is in awe.

An indelible coming-of-age story, Chetna Maroo's first novel captures the ordinary and annihilates it with beauty. Western Lane is a valentine to innocence, to the closeness of sisterhood, to the strange ways we come to know ourselves and each other.

What does it mean to really see the world around you--to bear witness? And what does it cost us, both to see and not to see?

In these ten stories, each set in the changing landscapes of contemporary New York City, a range of characters--from children to grandmothers to ghosts--live through the responsibility of perceiving and the moral challenge of speaking up or taking action. Though they strive to connect with, stand up for, care for, and remember one another, they often fall short, and the structures they build around these ambitions and failures shape their futures as well as the legacies and prospects of their communities and their city.

In its portraits of families and friendships lost and found, the paradox of intimacy, the long shadow of grief, and the meaning of home, Witness enacts its own testimony. Here is a world where fortunes can be made and stolen in just a few generations, where strangers might sometimes show kindness while those we trust--doctors, employers, siblings--too often turn away, where joy comes in snatches: flowers on a windowsill, dancing in the street, glimpsing your purpose, change on the horizon.

With prose as upendingly beautiful as it is artfully, seamlessly crafted, Jamel Brinkley offers nothing less than the full scope of life and death and change in the great, unending drama of the city.

It's as if her life only began once Moon appeared in it. The desultory copywriting work, the boyfriend, and the want of anything not-Moon quickly fall away when she beholds the idol in concert, where Moon dances as if his movements are creating their own gravitational field; on livestreams, as fans from around the world comment in dozens of languages; even on skincare products endorsed by the wildly popular Korean boyband, of which Moon is the youngest, most luminous member. Seized by ineffable desire, our unnamed narrator begins writing Y/N fanfic--in which you, the reader, insert [Your/Name] and play out an intimate relationship with the unattainable star.

Surreal, hilarious, and shrewdly poignant, Y/N is a provocative literary debut about the universal longing for transcendence and the tragic struggle to assert one's singular story amidst the amnesiac effects of globalization. Esther Yi's prose unsettles the boundary between high and mass art, exploding our expectations of a novel about "identity" and offering in its place a sui generis picture of the loneliness that afflicts modern life.

Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena's a literary darling. June Hayward is literally nobody. Who wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves.

With its totally immersive first-person voice, Yellowface grapples with questions of diversity, racism, and cultural appropriation, as well as the terrifying alienation of social media. R.F. Kuang's novel is timely, razor-sharp, and eminently readable.

In 1838, a group of America's most prominent Catholic priests sold 272 enslaved people to save their largest mission project, what is now Georgetown University. In this groundbreaking account, journalist, author, and professor Rachel L. Swarns follows one family through nearly two centuries of indentured servitude and enslavement to uncover the harrowing origin story of the Catholic Church in the United States. Through the saga of the Mahoney family, Swarns illustrates how the Church relied on slave labor and slave sales to sustain its operations and to help finance its expansion.

The story begins with Ann Joice, a free Black woman and the matriarch of the Mahoney family. Joice sailed to Maryland in the late 1600s as an indentured servant, but her contract was burned and her freedom stolen. Her descendants, who were enslaved by Jesuit priests, passed down the story of that broken promise for centuries. One of those descendants, Harry Mahoney, saved lives and the church's money in the War of 1812, but his children, including Louisa and Anna, were put up for sale in 1838. One daughter managed to escape, but the other was sold and shipped to Louisiana. Their descendants would remain apart until Rachel Swarns's reporting in The New York Times finally reunited them. They would go on to join other GU272 descendants who pressed Georgetown and the Catholic Church to make amends, prodding the institutions to break new ground in the movement for reparations and reconciliation in America.

Swarns's journalism has already started a national conversation about universities with ties to slavery. The 272 tells an even bigger story, not only demonstrating how slavery fueled the growth of the American Catholic Church but also shining a light on the enslaved people whose forced labor helped to build the largest religious denomination in the nation.

The astounding, never-before-told story of how an audacious Ghanaian con artist pulled off one of the 20th century's longest-running and most spectacular frauds.

When Ghana won its independence from Britain in 1957, it instantly became a target for home-grown opportunists and rapacious Western interests determined to snatch any assets that colonialism hadn't already stripped. A CIA-funded military junta ousted the new nation's inspiring president, Kwame Nkrumah, then falsely accused him of hiding the country's gold overseas. Into this big lie stepped one of history's most charismatic scammers, a con man to rival the trickster god Anansi. Born into poverty in Ghana and trained in the United States, John Ackah Blay-Miezah declared himself custodian of an alleged Nkrumah trust fund worth billions. You, too, could claim a piece--if only you would "invest" in Blay-Miezah's fictitious efforts to release the equally fictitious fund. Over the 1970s and '80s, he and his accomplices--including Ghanaian state officials and Nixon's former attorney general--scammed hundreds of millions of dollars out of thousands of believers. Blay-Miezah lived in luxury, deceiving Philadelphia lawyers, London financiers, and Seoul businessmen alike, all while eluding his FBI pursuers. American prosecutors called his scam "one of the most fascinating--and lucrative--in modern history."

In Anansi's Gold, Yepoka Yeebo chases Blay-Miezah's ever-wilder trail and discovers, at long last, what really happened to Ghana's missing wealth. She unfolds a riveting account of Cold War entanglements, international finance, and postcolonial betrayal, revealing how what we call "history" writes itself into being, one lie at a time.

In the fall of 1909, a pair of bitter contests captured the world's attention. The American explorers Robert Peary and Frederick Cook both claimed to have discovered the North Pole, sparking a vicious feud that was unprecedented in international scientific and geographic circles. At the same time, the rivalry between two powerful New York City newspapers--the storied Herald and the ascendant Times--fanned the flames of the so-called polar controversy, as each paper financially and reputationally committed itself to an opposing explorer and fought desperately to defend him.

The Herald was owned and edited by James Gordon Bennett, Jr., an eccentric playboy whose nose for news was matched only by his appetite for debauchery and champagne. The Times was published by Adolph Ochs, son of Jewish immigrants, who'd improbably rescued the paper from extinction and turned it into an emerging powerhouse. The battle between Cook and Peary would have enormous consequences for both newspapers, and help to determine the future of corporate media.

Battle of Ink and Ice presents a frank portrayal of Arctic explorers, brave men who both inspired and deceived the public. It also sketches a vivid portrait of the newspapers that funded, promoted, narrated, and often distorted their exploits. It recounts a sixty-year saga of frostbite and fake news, one that culminates with an unjustly overlooked chapter in the origin story of the modern New York Times.

By turns tragic and absurd, Battle of Ink and Ice brims with contemporary relevance, touching as it does on themes of class, celebrity, the ever-quickening news cycle, and the benefits and pitfalls of an increasingly interconnected world. Above all, perhaps, its cast of characters testifies--colorfully and compellingly--to the ongoing role of personality and publicity in American cultural life as the Gilded Age gave way to the twentieth century--the American century.

Acclaimed author Jonathan Rosen's haunting investigation of the forces that led his closest childhood friend, Michael Laudor, from the heights of brilliant promise to the forensic psychiatric hospital where he has lived since killing the woman he loved. A story about friendship, love, and the price of self-delusion, The Best Minds explores the ways in which we understand--and fail to understand--mental illness.

When the Rosens moved to New Rochelle in 1973, Jonathan Rosen and Michael Laudor became inseparable. Both children of college professors, the boys were best friends and keen competitors, and, when they both got into Yale University, seemed set to join the American meritocratic elite.

Michael blazed through college in three years, graduating summa cum laude and landing a top-flight consulting job. But all wasn't as it seemed. One day, Jonathan received the call: Michael had suffered a serious psychotic break and was in the locked ward of a psychiatric hospital. Diagnosed with paranoid schizophrenia, Michael was still in the hospital when he learned he'd been accepted to Yale Law School, and still battling delusions when he decided to trade his halfway house for the top law school in the country. He not only managed to graduate, but after his extraordinary story was featured in The New York Times, sold a memoir for a large sum. Ron Howard bought film rights, completing the dream for Michael and his tirelessly supportive girlfriend Carrie. But then Michael, in the grip of an unshakeable paranoid fantasy, stabbed Carrie to death with a kitchen knife and became a front-page story of an entirely different sort.

The Best Minds is Jonathan Rosen's brilliant and heartbreaking account of an American tragedy. It is a story about the bonds of family, friendship, and community; the promise of intellectual achievement; and the lure of utopian solutions. Tender, funny, and harrowing by turns, at times almost unbearably sad, The Best Minds is an extreme version of a story that is tragically familiar to all too many. In the hands of a writer of Jonathan Rosen's gifts and dedication, its significance will echo widely.

Who are you? You are data about data. You are a map of connections-a culmination of everything you have ever posted, searched, emailed, liked, and followed. In this groundbreaking work of narrative nonfiction, Kerry Howley investigates the curious implications of living in the age of the indelible. Bottoms Up and the Devil Laughs tells the true story of intelligence specialist Reality Winner, a lone young woman who stuffs a state secret under her skirt and trusts the wrong people to help. After printing five pages of dangerous information she was never supposed to see, Winner finds herself at the mercy of forces more invasive than she could have possibly imagined.

Following Winner's unlikely journey from rural Texas to a federal courtroom, Howley maps a hidden world, drawing in John Walker Lindh, Lady Gaga, Edward Snowden, a rescue dog named Outlaw Babyface Nelson, and a mother who will do whatever it takes to get her daughter out of jail. Howley's subjects face a challenge new to history- they are imprisoned by their past selves, trapped for as long as the Internet endures. A soap opera set in the deep state, Bottoms Up and the Devil Laughs is a free fall into a world where everything is recorded and nothing is sacred, from a singular writer unafraid to ask essential questions about the strangeness of modern life.

A multigenerational saga of a family and a community in Tulsa's Greenwood district, known as "Black Wall Street," that in one century survived the 1921 Tulsa Race Massacre, urban renewal, and gentrification.

When Ed Goodwin moved with his parents to Greenwood, Tulsa, in 1914, his family joined a growing community on the cusp of becoming a national center of black life. But, just seven years later, on May 31, 1921, the teenaged Ed hid in a bathtub as a white mob descended on his neighborhood, laying waste to thirty-five blocks and murdering as many as three hundred people. The Tulsa Race Massacre was one of the most brutal acts of racist violence in U.S. history, a ruthless attempt to smother a spark of black independence.

But that was never the whole story of Greenwood. The Goodwins and their neighbors soon rebuilt it into "a Mecca," in Ed's words, where nightlife thrived, small businesses flourished, and an underworld economy lived comfortably alongside public storefronts. Prosperity and poverty intermixed, and icons from W.E.B. Du Bois to Muhammad Ali ambled down Greenwood Avenue, alongside maids, doctors, and every occupation in between. Ed grew into a prominent businessman and bought a newspaper called the Oklahoma Eagle to chronicle Greenwood's resurgence and battles against white bigotry. He and his wife, Jeanne, raised an ambitious family, and their son Jim, an attorney, embodied their hopes for the Civil Rights Movement in his work. But by the 1970s, urban renewal policies had nearly emptied the neighborhood, even as Jim and his neighbors tried to hold on to it. Today, while new high-rises and encroaching gentrification risk wiping out Greenwood's legacy for good, the family newspaper remains, and Ed's granddaughter Regina represents the neighborhood in the Oklahoma state legislature, working alongside a new generation of local activists.

In Built from the Fire, journalist Victor Luckerson moves beyond the mythology of Black Wall Street to tell the story of an aspirant black neighborhood that, like so many others, has long been buffeted by racist government policies. Through the eyes of dozens of race massacre survivors and their descendants, Luckerson delivers an honest, moving portrait of this potent national symbol of success and solidarity--and weaves an epic tale about a neighborhood that refused, more than once, to be erased.

An unflinching investigation reveals the human rights abuses behind the Congo's cobalt mining operation--and the moral implications that affect us all.

Cobalt Red is the searing, first-ever exposé of the immense toll taken on the people and environment of the Democratic Republic of the Congo by cobalt mining, as told through the testimonies of the Congolese people themselves. Activist and researcher Siddharth Kara has traveled deep into cobalt territory to document the testimonies of the people living, working, and dying for cobalt. To uncover the truth about brutal mining practices, Kara investigated militia-controlled mining areas, traced the supply chain of child-mined cobalt from toxic pit to consumer-facing tech giants, and gathered shocking testimonies of people who endure immense suffering and even die mining cobalt.

Cobalt is an essential component to every lithium-ion rechargeable battery made today, the batteries that power our smartphones, tablets, laptops, and electric vehicles. Roughly 75 percent of the world's supply of cobalt is mined in the Congo, often by peasants and children in sub-human conditions. Billions of people in the world cannot conduct their daily lives without participating in a human rights and environmental catastrophe in the Congo. In this stark and crucial book, Kara argues that we must all care about what is happening in the Congo--because we are all implicated.

Some 40 million miles of roadways encircle the earth, yet we tend to regard them only as infrastructure for human convenience. While roads are so ubiquitous they're practically invisible to us, wild animals experience them as entirely alien forces of death and disruption. In Crossings, environmental journalist Ben Goldfarb travels throughout the United States and around the world to investigate how roads have transformed our planet. A million animals are killed by cars each day in the U.S. alone, but as the new science of road ecology shows, the harms of highways extend far beyond roadkill. Creatures from antelope to salmon are losing their ability to migrate in search of food and mates; invasive plants hitch rides in tire treads; road salt contaminates lakes and rivers; and the very noise of traffic chases songbirds from vast swaths of habitat. Yet road ecologists are also seeking to blunt the destruction through innovative solutions. Goldfarb meets with conservationists building bridges for California's mountain lions and tunnels for English toads, engineers deconstructing the labyrinth of logging roads that web national forests, animal rehabbers caring for Tasmania's car-orphaned wallabies, and community organizers working to undo the havoc highways have wreaked upon American cities.

Today, as our planet's road network continues to grow exponentially, the science of road ecology has become increasingly vital. Written with passion and curiosity, Crossings is a sweeping, spirited, and timely investigation into how humans have altered the natural world--and how we can create a better future for all living beings.

Born into the steam and starch of a Chinese laundry, Anna May Wong (1905-1961) emerged from turn-of-the-century Los Angeles to become Old Hollywood's most famous Chinese American actress, a screen siren who captivated global audiences and signed her publicity photos--with a touch of defiance--"Orientally yours."

Now, more than a century after her birth, Yunte Huang narrates Wong's tragic life story, retracing her journey from Chinatown to silent-era Hollywood, and from Weimar Berlin to decadent, prewar Shanghai, and capturing American television in its infancy. As Huang shows, Wong's rendezvous with history features a remarkable parade of characters, including a smitten Walter Benjamin and (an equally smitten) Marlene Dietrich. Challenging the parodically racist perceptions of Wong as a "Dragon Lady," "Madame Butterfly," or "China Doll," Huang's biography becomes a truly resonant work of history that reflects the raging anti-Chinese xenophobia, unabashed sexism, and ageism toward women that defined both Hollywood and America in Wong's all-too-brief fifty-six years on earth.

What if you woke up one morning and found you'd acquired another self--a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you'd devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience--she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo?

Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us--and that have come to feel as intimate and proximate as a warped reflection in the mirror.

Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger asks: What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now--and an intellectual adventure story for our times.

An autobiography of one of the towering figures of contemporary American music and a powerful meditation on history, race, capitalism, and art. Henry Threadgill has had a singular life in music. At 79, the saxophonist, flautist, and celebrated composer is one of three jazz artists (along with Ornette Coleman and Wynton Marsalis) to have won a Pulitzer Prize. In Easily Slip into Another World, Threadgill recalls his childhood and upbringing in Chicago, his family life and education, and his brilliant career in music.

Here are riveting recollections of the music scene in Chicago in the early 1960s, when Threadgill developed his craft among friends and schoolmates who would go on to form the core of the highly influential Association for the Advancement of Creative Musicians (AACM); the year and a half he spent touring with an evangelical preacher in the mid-1960s; his military service in Vietnam-a riveting tale in itself, but also representative of an under-recognized aspect of jazz history, given the number of musicians in Threadgill's generation who served in the armed forces.

We appreciate his genius as he travels to the Netherlands, Venezuela, Trinidad, Sicily, and Goa enriching his art; immerses himself in the volatile downtown scene in New York City in the 1970s and 1980s; collaborates with choreographers, writers, and theater directors as well as an astonishing range of musicians, from AACM stalwarts (Muhal Richard Abrams, Roscoe Mitchell, Wadada Leo Smith, and Leroy Jenkins), to Chicago bluesmen, downtown luminaries, and world music innovators; shares his impressions of the recording industry his perspectives on music education and the history of Black music in the United States; and, of course, accounts for his work with the various ensembles he has directed over the past five decades.

In 1963, a female student was attending a lecture given by Nobel Prize winner James Watson, then tenured at Harvard. At nineteen, she was struggling to define her future. She had given herself just ten years to fulfill her professional ambitions before starting the family she was expected to have. For women at that time, a future on the usual path of academic science was unimaginable--but during that lecture, young Nancy Hopkins fell in love with the promise of genetics. Confidently believing science to be a pure meritocracy, she embarked on a career.

In 1999, Hopkins, now a noted molecular geneticist and cancer researcher at MIT, divorced and childless, found herself underpaid and denied the credit and resources given to men of lesser rank. Galvanized by the flagrant favoritism, Hopkins led a group of sixteen women on the faculty in a campaign that prompted MIT to make the historic admission that it had long discriminated against its female scientists. The sixteen women were a formidable group: their work has advanced our understanding of everything from cancer to geology, from fossil fuels to the inner workings of the human brain. And their work to highlight what they called "21st-century discrimination"--a subtle, stubborn, often unconscious bias--set off a national reckoning with the pervasive sexism in science.

From the Pulitzer Prize-winning journalist who broke the story, The Exceptions chronicles groundbreaking science and a history-making fight for equal opportunity. It is the "excellent and infuriating" story of how this group of determined, brilliant women used the power of the collective and the tools of science to inspire ongoing radical change. And it offers an intimate look at the passion that drives discovery, and a rare glimpse into the competitive, hierarchical world of elite science--and the women who dared to challenge it.

In May 2016, Fort McMurray, the hub of Canada's oil industry and America's biggest foreign supplier, was overrun by wildfire. The multi-billion-dollar disaster melted vehicles, turned entire neighborhoods into firebombs, and drove 88,000 people from their homes in a single afternoon. Through the lens of this apocalyptic conflagration--the wildfire equivalent of Hurricane Katrina--John Vaillant warns that this was not a unique event, but a shocking preview of what we must prepare for in a hotter, more flammable world.

Fire has been a partner in our evolution for hundreds of millennia, shaping culture, civilization, and, very likely, our brains. Fire has enabled us to cook our food, defend and heat our homes, and power the machines that drive our titanic economy. Yet this volatile energy source has always threatened to elude our control, and in our new age of intensifying climate change, we are seeing its destructive power unleashed in previously unimaginable ways.

With masterly prose and a cinematic eye, Vaillant takes us on a riveting journey through the intertwined histories of North America's oil industry and the birth of climate science, to the unprecedented devastation wrought by modern forest fires, and into lives forever changed by these disasters. John Vaillant's urgent work is a book for--and from--our new century of fire, which has only just begun.

In late 2006, Saket Soni, a twenty-eight-year-old Indian-born community organizer, received an anonymous phone call from an Indian migrant worker in Mississippi. He was one of five hundred men trapped in squalid Gulf Coast "man camps," surrounded by barbed wire, watched by guards, crammed into cold trailers with putrid toilets, forced to eat moldy bread and frozen rice. Recruiters had promised them good jobs and green cards. The men had scraped up $20,000 each for this "opportunity" to rebuild hurricane-wrecked oil rigs, leaving their families in impossible debt. During a series of clandestine meetings, Soni and the workers devised a bold plan. In The Great Escape, Soni traces the workers' extraordinary escape, their march on foot to Washington, DC, and their twenty-three-day hunger strike to bring attention to their cause. Along the way, ICE agents try to deport the men, company officials work to discredit them, and politicians avert their eyes. But none of this shakes the workers' determination to win their dignity and keep their promises to their families.

Weaving a deeply personal journey with a riveting tale of twenty-first-century forced labor, Soni takes us into the lives of the immigrant workers the United States increasingly relies on to rebuild after climate disasters. The Great Escape is the gripping story of one of the largest human trafficking cases in modern American history--and the workers' heroic journey for justice.

Traveling from Iran to North Korea, from the Dalai Lama's Himalayas to the ghostly temples of Japan, Pico Iyer brings together a lifetime of explorations to upend our ideas of utopia and ask how we might find peace in the midst of difficulty and suffering. Does religion lead us back to Eden or only into constant contention? Why do so many seeming paradises turn into warzones? And does paradise exist only in the afterworld - or can it be found in the here and now?

For almost fifty years Lyer has been roaming the world, mixing a global soul's delight in observing cultures with a pilgrim's readiness to be transformed. In this culminating work, he brings together the outer world and the inner to offer us a surprising, original, often beautiful exploration of how we might come upon paradise in the midst of our very real lives.

With echoes of Educated and Born a Crime, How to Say Babylon is the stunning story of the author's struggle to break free of her rigid Rastafarian upbringing, ruled by her father's strict patriarchal views and repressive control of her childhood, to find her own voice as a woman and poet.

Throughout her childhood, Safiya Sinclair's father, a volatile reggae musician and militant adherent to a strict sect of Rastafari, became obsessed with her purity, in particular, with the threat of what Rastas call Babylon, the immoral and corrupting influences of the Western world outside their home. He worried that womanhood would make Safiya and her sisters morally weak and impure, and believed a woman's highest virtue was her obedience.

In an effort to keep Babylon outside the gate, he forbade almost everything. In place of pants, the women in her family were made to wear long skirts and dresses to cover their arms and legs, head wraps to cover their hair, no make-up, no jewelry, no opinions, no friends. Safiya's mother, while loyal to her father, nonetheless gave Safiya and her siblings the gift of books, including poetry, to which Safiya latched on for dear life. And as Safiya watched her mother struggle voicelessly for years under housework and the rigidity of her father's beliefs, she increasingly used her education as a sharp tool with which to find her voice and break free. Inevitably, with her rebellion comes clashes with her father, whose rage and paranoia explodes in increasing violence. As Safiya's voice grows, lyrically and poetically, a collision course is set between them.

How to Say Babylon is Sinclair's reckoning with the culture that initially nourished but ultimately sought to silence her; it is her reckoning with patriarchy and tradition, and the legacy of colonialism in Jamaica. Rich in lyricism and language only a poet could evoke, How to Say Babylon is both a universal story of a woman finding her own power and a unique glimpse into a rarefied world we may know how to name, Rastafari, but one we know little about.

The bestselling author of How to Live and At the Existentialist Café explores seven hundred years of writers, thinkers, scientists, and artists, all trying to understand what it means to be truly human Humanism is an expansive tradition of thought that places shared humanity, cultural vibrancy, and moral responsibility at the center of our lives. The humanistic worldview--as clear-eyed and enlightening as it is kaleidoscopic and richly ambiguous--has inspired people for centuries to make their choices by principles of freethinking, intellectual inquiry, fellow feeling, and optimism.

In this sweeping new history, Sarah Bakewell, herself a lifelong humanist, illuminates the very personal, individual, and, well, human matter of humanism and takes readers on a grand intellectual adventure.

Voyaging from the literary enthusiasts of the fourteenth century to the secular campaigners of our own time, from Erasmus to Esperanto, from anatomists to agnostics, from Christine de Pizan to Bertrand Russell, and from Voltaire to Zora Neale Hurston, Bakewell brings together extraordinary humanists across history. She explores their immense variety: some sought to promote scientific and rationalist ideas, others put more emphasis on moral living, and still others were concerned with the cultural and literary studies known as "the humanities." Humanly Possible asks not only what brings all these aspects of humanism together but why it has such enduring power, despite opposition from fanatics, mystics, and tyrants.

A singular examination of this vital tradition as well as a dazzling contribution to its literature, this is an intoxicating, joyful celebration of the human spirit from one of our most beloved writers. And at a moment when we are all too conscious of the world's divisions, Humanly Possible--brimming with ideas, experiments in living, and respect for the deepest ethical values--serves as a recentering, a call to care for one another, and a reminder that we are all, together, only human.

A landmark, magisterial history of the trial of Japan's leaders as war criminals--the largely overlooked Asian counterpart to Nuremberg.

In the weeks after Japan finally surrendered to the Allies to end World War II, the world turned to the question of how to move on from years of carnage and destruction. For Harry Truman, Douglas MacArthur, Chiang Kai-shek, and their fellow victors, the question of justice seemed clear: Japan's militaristic leaders needed to be tried and punished for the surprise attack at Pearl Harbor; shocking atrocities against civilians in China, the Philippines, and elsewhere; and rampant abuses of prisoners of war in notorious incidents such as the Bataan death march. For the Allied powers, the trial was an opportunity to render judgment on their vanquished foes, but also to create a legal framework to prosecute war crimes and prohibit the use of aggressive war, building a more peaceful world under international law and American hegemony. For the Japanese leaders on trial, it was their chance to argue that their war had been waged to liberate Asia from Western imperialism and that the court was victors' justice.

For more than two years, lawyers for both sides presented their cases before a panel of clashing judges from China, India, the Philippines, and Australia, as well as the United States and European powers. The testimony ran from horrific accounts of brutality and the secret plans to attack Pearl Harbor to the Japanese military's threats to subvert the government if it sued for peace. Yet rather than clarity and unanimity, the trial brought complexity, dissents, and divisions that provoke international discord between China, Japan, and Korea to this day. Those courtroom tensions and contradictions could also be seen playing out across Asia as the trial unfolded in the crucial early years of the Cold War, from China's descent into civil war to Japan's successful postwar democratic elections to India's independence and partition.

From the author of the acclaimed The Blood Telegram, which was a Pulitzer Prize finalist, this magnificent history is the product of a decade of research and writing. Judgment at Tokyo is a riveting story of wartime action, dramatic courtroom battles, and the epic formative years that set the stage for the Asian postwar era.

Vividly written and exhaustively researched, Jonathan Eig's King: A Life is the first major biography in decades of the civil rights icon Martin Luther King Jr.--and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family's origins as well as MLK's complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father--as well as the nation's most mourned martyr.

In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history's greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime. Includes 8 pages of black-and-white photographs.

The award-winning journalist and staff writer for The Atlantic follows up his New York Times bestseller American Carnage with this timely, rigorously reported, and deeply personal examination of the divisions that threaten to destroy the American evangelical movement. Evangelical Christians are perhaps the most polarizing--and least understood--people living in America today. In his seminal new book, The Kingdom, the Power, and the Glory, journalist Tim Alberta, himself a practicing Christian and the son of an evangelical preacher, paints an expansive and profoundly troubling portrait of the American evangelical movement.

Through the eyes of televangelists and small-town preachers, celebrity revivalists and everyday churchgoers, Alberta tells the story of a faith cheapened by ephemeral fear, a promise corrupted by partisan subterfuge, and a reputation stained by perpetual scandal. For millions of conservative Christians, America is their kingdom--a land set apart, a nation uniquely blessed, a people in special covenant with God. This love of country, however, has given way to right-wing nationalist fervor, a reckless blood-and-soil idolatry that trivializes the kingdom of Jesus Christ. Alberta retraces the arc of the modern evangelical movement, placing political and cultural inflection points in the context of church teachings and traditions, explaining how Donald Trump's presidency and the Covid-19 pandemic only accelerated historical trends that long pointed toward disaster. Reporting from half-empty sanctuaries and standing-room-only convention halls across the country, the author documents a growing fracture inside American Christianity, journeying with readers through this strange new environment in which loving your enemies is "woke" and owning the libs is the answer to WWJD.

Accessing the highest echelons of the American evangelical movement, Alberta investigates the ways in which conservative Christians have pursued, exercised, and often abused power in the name of securing this earthly kingdom. He highlights the battles evangelicals are fighting--and the weapons of their warfare--to demonstrate the disconnect from scripture: Contra the dictates of the New Testament, today's believers are struggling mightily against flesh and blood, eyes fixed on the here and now, desperate for a power that is frivolous and fleeting. Lingering at the intersection of real cultural displacement and perceived religious persecution, Alberta portrays a rapidly secularizing America that has come to distrust the evangelical church, and weaves together present-day narratives of individual pastors and their churches as they confront the twin challenges of lost status and diminished standing. Sifting through the wreckage--pastors broken, congregations battered, believers losing their religion because of sex scandals and political schemes--Alberta asks: If the American evangelical movement has ceased to glorify God, then what is its purpose?

Despite Israel's determined staying power in a hostile environment, its military might, and the innovation it fosters in businesses globally, the country is more divided than ever. The old guard--socialist secular elites and idealists--are a dying breed, and the state's democratic foundations are being challenged. A dynamic and exuberant country of nine million, Israel is now largely comprised of native-born Hebrew speakers, and yet any permanent sense of security and normalcy is elusive.

In The Land of Hope and Fear, we meet Israelis: Jews and Arabs, religious and secular, Eastern and Western, liberals and zealots--plagued by perennial conflict and existential threats, citizens who remain deeply polarized politically, socially, and ideologically, even as they undergo generational change and redefine what it is to be an Israeli. Who are these people and to what do they aspire?

In moving narratives and with on-the-ground reporting, Isabel Kershner reveals the core of what holds Israel together and the forces that threaten its future through the lens of real people: a son of Zionist pioneers, cynical about what is to come and his people's status in it; a woman in her nineties whose life in a kibbutz has disintegrated; a brilliant poet caught up in the political maelstrom; an Arab gallery owner archiving a lost Palestinian landscape; and a descendant of the Russian aliyah; representing millions of culturally and religiously different Jews, laying bare the question Who is an Israeli? The Land of Hope and Fear decodes Israel today at its seventy-fifth anniversary, examining the ways in which the country has both exceeded and failed the ideals and expectations of its founders.

Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. "My name is Cristina Rivera Garza," she writes in her request to the attorney general, "and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990." It's been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend. Inspired by feminist movements across the world and enraged by the global epidemic of femicide and intimate partner violence, Cristina embarks on a path toward justice. Liliana's Invincible Summer is the account--and the outcome--of that quest.

In luminous, poetic prose, Rivera Garza tells a singular yet universally resonant story: Liliana is a spirited, wondrously hopeful young woman who tried to survive in a world of increasingly normalized gendered violence. Rivera Garza traces her sister's history, depicting everything from Liliana's early romance with a handsome but possessive and short-tempered man to that exhilarating final summer of 1990 when she loved, thought, and traveled more widely and freely than she ever had before.

Using her skills as an acclaimed scholar, novelist, and poet, Rivera Garza collected and curated evidence--handwritten letters, police reports, school notebooks, interviews with Liliana's loved ones--to document her sister's life. Through this remarkable and genre-defying memoir, she confronts the trauma of losing her sister and examines how this tragedy continues to shape who she is--and what she fights for--today.

In Lives of the Wives, author Carmela Ciuraru offers a witty, provocative look inside the tumultuous marriages of five famous writers, illuminating the creative process as well as the role of money, fame, and power in these complex and fascinating relationships.

The legendary British theater critic Kenneth Tynan encouraged his American wife, Elaine Dundy, to write, then watched in a jealous rage as she became a bestselling author. In their early years of marriage, Roald Dahl enjoyed basking in the glow of his glamorous movie star wife, Patricia Neal, until he detested her for being wealthier and more famous. Elizabeth Jane Howard had to divorce Kingsley Amis to escape his suffocating needs and pursue her own writing. In the marriage of the Italian novelists Elsa Morante and Alberto Moravia, it was Morante who often behaved abusively toward her cool, detached husband, even as he unwaveringly championed his wife's talent and work. The most conventional partnership is a lesbian couple, Una Troubridge and Radclyffe Hall, both of whom were socially and politically conservative and unapologetic snobs.

Lives of the Wives is an erudite, entertaining project of reclamation and reparation, paying tribute to the wives who were often demonized and misrepresented, and revealing the price they paid for recognition and freedom.

From the bestselling author of ALL YOU CAN EVER KNOW comes a searing memoir of family, class and grief--a daughter's search to understand the lives her adoptive parents led, the life she forged as an adult, and the lives she's lost. In this country, unless you attain extraordinary wealth, you will likely be unable to help your loved ones in all the ways you'd hoped. You will learn to live with the specific, hollow guilt of those who leave hardship behind, yet are unable to bring anyone else with them.

Nicole Chung couldn't hightail it out of her overwhelmingly white Oregon hometown fast enough. As a scholarship student at a private university on the East Coast, no longer the only Korean she knew, she found community and a path to the life she'd long wanted. But the middle class world she begins to raise a family in - where there are big homes, college funds, nice vacations - looks very different from the middle class world she thought she grew up in, where paychecks have to stretch to the end of the week, health insurance is often lacking, and there are no safety nets.

When her father dies at only sixty-seven, killed by diabetes and kidney disease, Nicole feels deep grief as well as rage, knowing that years of precarity and lack of access to healthcare contributed to his early death. And then the unthinkable happens - less than a year later, her beloved mother is diagnosed with cancer, and the physical distance between them becomes insurmountable as COVID-19 descends upon the world.

Exploring the enduring strength of family bonds in the face of hardship and tragedy, A Living Remedy examines what it takes to reconcile the distance between one life, one home, and another - and sheds needed light on some of the most persistent and grievous inequalities in American society.

In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North.

Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day--among them Frederick Douglass and William Wells Brown.

But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again--this time from the United States, their lives and thousands more on the line and the stakes never higher.

With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story--one that would challenge the nation's core precepts of life, liberty, and justice for all--one that challenges us even now.

A timely, passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist?

This unflinching, deeply personal book expands on Claire Dederer's instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?"

Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.

The long-awaited memoir by the superstar of stage, screen, recordings, and television, Barbra Streisand is by any account a living legend, a woman who in a career spanning six decades has excelled in every area of entertainment. She is among the handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and has one of the greatest and most recognizable voices in the history of popular music. She has been nominated for a Grammy 46 times, and with Yentl she became the first woman to write, produce, direct, and star in a major motion picture. In My Name Is Barbra, she tells her own story about her life and extraordinary career, from growing up in Brooklyn to her first star-making appearances in New York nightclubs to her breakout performance in Funny Girl on stage and winning the Oscar for that performance on film. Then came a long string of successes in every medium in the years that followed. The book is, like Barbra herself, frank, funny, opinionated, and charming. She recounts her early struggles to become an actress, eventually turning to singing to earn a living; the recording of some of her acclaimed albums; the years of effort involved in making Yentl; her direction of The Prince of Tides; her friendships with figures ranging from Marlon Brando to Madeleine Albright; her political advocacy; and the fulfillment she's found in her marriage to James Brolin.

No entertainer's memoir has been more anticipated than Barbra Streisand's, and this engrossing and delightful book will be eagerly welcomed by her millions of fans.

A paradigm-shattering biography of Phillis Wheatley, whose extraordinary poetry set African American literature at the heart of the American Revolution. Admired by George Washington, ridiculed by Thomas Jefferson, published in London, and read far and wide, Phillis Wheatley led one of the most extraordinary American lives. Seized in West Africa and forced into slavery as a child, she was sold to a merchant family in Boston, where she became a noted poet at a young age. Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, she composed elegies for local elites, celebrated political events, praised warriors, and used her verse to variously lampoon, question, and assert the injustice of her enslaved condition. "Can I then but pray / Others may never feel tyrannic sway?" By doing so, she added her voice to a vibrant, multisided conversation about race, slavery, and discontent with British rule; before and after her emancipation, her verses shook up racial etiquette and used familiar forms to create bold new meanings. She demonstrated a complex but crucial fact of the times: that the American Revolution both strengthened and limited Black slavery.

In this new biography, the historian David Waldstreicher offers the fullest account to date of Wheatley's life and works, correcting myths, reconstructing intimate friendships, and deepening our understanding of her verse and the revolutionary era. Throughout The Odyssey of Phillis Wheatley, he demonstrates the continued vitality and resonance of a woman who wrote, in a founding gesture of American literature, "Thy Power, O Liberty, makes strong the weak / And (wond'rous instinct) Ethiopians speak."

A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past--public ones alongside others that are poignantly personal--with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages--sometimes about language, beauty, memory; sometimes about history, art, photography, and literature--always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.

At the heart of Ordinary Notes is the indelible presence of the author's mother, Ida Wright Sharpe. "I learned to see in my mother's house," writes Sharpe. "I learned how not to see in my mother's house . . . My mother gifted me a love of beauty, a love of words." Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method," collects entries from a community of thinkers toward a "Dictionary of Untranslatable Blackness," and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.

The author of the New York Times bestseller Her Again: Becoming Meryl Streep returns with a lively history of the Academy Awards, focusing on the brutal battles, the starry rivalries, and the colorful behind-the-scenes drama. America does not have royalty. It has the Academy Awards. For nine decades, perfectly coiffed starlets, debonair leading men, and producers with gold in their eyes have chased the elusive Oscar. What began as an industry banquet in 1929 has now exploded into a hallowed ceremony, complete with red carpets, envelopes, and little gold men. But don't be fooled by the pomp: the Oscars, more than anything, are a battlefield, where the history of Hollywood--and of America itself--unfolds in dramas large and small. The road to the Oscars may be golden, but it's paved in blood, sweat, and broken hearts.

In Oscar Wars, Michael Schulman chronicles the remarkable, sprawling history of the Academy Awards and the personal dramas--some iconic, others never-before-revealed--that have played out on the stage and off camera. Unlike other books on the subject, each chapter takes a deep dive into a particular year, conflict, or even category that tells a larger story of cultural change, from Louis B. Mayer to Moonlight. Schulman examines how the red carpet runs through contested turf, and the victors aren't always as clear as the names drawn from envelopes. Caught in the crossfire are people: their thwarted ambitions, their artistic epiphanies, their messy collaborations, their dreams fulfilled or dashed.

Featuring a star-studded cast of some of the most powerful Hollywood players of today and yesterday, as well as outsiders who stormed the palace gates, this captivating history is a collection of revelatory tales, each representing a turning point for the Academy, for the movies, or for the culture at large.

In Our Migrant Souls, the Pulitzer Prize-winning writer Héctor Tobar delivers a definitive and personal exploration of what it means to be Latino in the United States right now.

"Latino" is the most open-ended and loosely defined of the major race categories in the United States, and also one of the most rapidly growing. Composed as a direct address to the young people who identify or have been classified as "Latino," Our Migrant Souls is the first account of the historical and social forces that define Latino identity.

Taking on the impacts of colonialism, public policy, immigration, media, and pop culture, Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and gives voice to the anger and the hopes of young Latino people who have seen Latinidad transformed into hateful tropes and who have faced insult and division--a story as old as this country itself.

Tobar translates his experience as not only a journalist and novelist but also a mentor, a leader, and an educator. He interweaves his own story, and that of his parents' migration to the United States from Guatemala, into his account of his journey across the country to uncover something expansive, inspiring, true, and alive about the meaning of "Latino" in the twenty-first century.

Full of intimate stories, from chasing down secret love affairs to battling body image and struggling with familial strife, Pageboy is a love letter to the power of being seen. With this evocative and lyrical debut, Oscar-nominated star Elliot Page captures the universal human experience of searching for ourselves and our place in this complicated world.

"Can I kiss you?" It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he'd carried for so long. But for Elliot, two steps forward had always come with one step back. With Juno's massive success, Elliot became one of the world's most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare.

As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do. Until enough was enough.

The Oscar-nominated star who captivated the world with his performance in Juno finally shares his story in a groundbreaking and inspiring memoir about love, family, fame -- and stepping into who we truly are with strength, joy and connection.

The United States, the richest country on earth, has more poverty than any other advanced democracy. Why? Why does this land of plenty allow one in every eight of its children to go without basic necessities, permit scores of its citizens to live and die on the streets, and authorize its corporations to pay poverty wages?

In this landmark book, acclaimed sociologist Matthew Desmond draws on history, research, and original reporting to show how affluent Americans knowingly and unknowingly keep poor people poor. Those of us who are financially secure exploit the poor, driving down their wages while forcing them to overpay for housing and access to cash and credit. We prioritize the subsidization of our wealth over the alleviation of poverty, designing a welfare state that gives the most to those who need the least. And we stockpile opportunity in exclusive communities, creating zones of concentrated riches alongside those of concentrated despair. Some lives are made small so that others may grow.

Elegantly written and fiercely argued, this compassionate book gives us new ways of thinking about a morally urgent problem. It also helps us imagine solutions. Desmond builds a startlingly original and ambitious case for ending poverty. He calls on us all to become poverty abolitionists, engaged in a politics of collective belonging to usher in a new age of shared prosperity and, at last, true freedom.

The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, as a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America.

Ned Blackhawk interweaves five centuries of Native and non-Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that European colonization in the 1600s was never a predetermined success; Native nations helped shape England's crisis of empire; the first shots of the American Revolution were prompted by Indian affairs in the interior; California Indians targeted by federally funded militias were among the first casualties of the Civil War; the Union victory forever recalibrated Native communities across the West; twentieth-century reservation activists refashioned American law and policy.

Blackhawk's retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.

A poet, a physicist, and a philosopher explored the greatest enigmas in the universe-the nature of free will, the strange fabric of the cosmos, the true limits of the mind-and each in their own way uncovered a revelatory truth about our place in the world.

Argentine poet Jorge Luis Borges was madly in love when his life was shattered by painful heartbreak. But the breakdown that followed illuminated an incontrovertible truth-that love is necessarily imbued with loss, that the one doesn't exist without the other. German physicist Werner Heisenberg was fighting with the scientific establishment on the meaning of the quantum realm's absurdity when he had his own epiphany-that there is no such thing as a complete, perfect description of reality. Prussian philosopher Immanuel Kant pushed the assumptions of human reason to their mind-bending conclusions, but emerged with an idea that crowned a towering philosophical system-that the human mind has fundamental limits, and those limits undergird both our greatest achievements as well as our missteps. Through fiction, science, and philosophy, the work of these three thinkers coalesced around the powerful, haunting fact that there is an irreconcilable difference between reality "out there" and reality as we experience it. Out of this profound truth comes a multitude of galvanizing ideas- the notion of selfhood, free will, and purpose in human life; the roots of morality, aesthetics, and reason; and the origins and nature of the cosmos itself.

As each of these thinkers shows, every one of us has a fundamentally incomplete picture of the world. But this is to be expected. Only as mortal, finite beings are we able to experience the world in all its richness and breathtaking majesty. We are stranded in a gulf of vast extremes, between the astronomical and the quantum, an abyss of freedom and absolute determinism, and it is in that center where we must make our home. A soaring and lucid reflection on the lives and work of Borges, Heisenberg, and Kant, The Rigor of Angels movingly demonstrates that the mysteries of our place in the world may always loom over us-not as a threat, but as a reminder of our humble humanity.

In his time, the Austrian American composer Arnold Schoenberg (1874-1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century's most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the "Procrustean bed" of tradition. Defying his critics--among them the Nazis, who described his music as "degenerate"--he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesizing Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided, and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present, or future of Western music.

Stranded within an ever-shifting family's desperate but volatile attempts to love, saddled with a mercurial mother mired in crack addiction, and demeaned daily for his perceived weakness, Joseph Earl Thomas grew up feeling he was under constant threat. Roaches fell from the ceiling, colonizing bowls of noodles and cereal boxes. Fists and palms pounded down at school and at home, leaving welts that ached long after they disappeared. An inescapable hunger gnawed at his frequently empty stomach, and requests for food were often met with indifference if not open hostility. Deemed too unlike the other boys to ever gain the acceptance he so desperately desired, he began to escape into fantasy and virtual worlds, wells of happiness in a childhood assailed on all sides.

In a series of exacting and fierce vignettes, Thomas guides readers through the unceasing cruelty that defined his circumstances, laying bare the depths of his loneliness and illuminating the vital reprieve geek culture offered him. With remarkable tenderness and devastating clarity, he explores how lessons of toxic masculinity were drilled into his body and the way the cycle of violence permeated the very fabric of his environment. Even in the depths of isolation, there were unexpected moments of joy carved out, from summers where he was freed from the injurious structures of his surroundings to the first glimpses of kinship he caught on his journey to becoming a Pokémon master. SINK follows Thomas's coming-of-age towards an understanding of what it means to lose the desire to fit in--with his immediate peers, turbulent family, or the world--and how good it feels to build community, love, and salvation on your own terms.

The never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art.

Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a "group" or "movement," as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones--one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses.

The Slip's history is entwined with that of the artists and their art--eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work.

Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte.

Some People Need Killing is Evangelista's meticulously reported and deeply human chronicle of the Philippines' drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte's war on drugs--a war that has led to the slaughter of thousands--immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others.

The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: "I'm really not a bad guy," he said. "I'm not all bad. Some people need killing."

A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.

In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for Barack and Michelle Obama, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. In this book, he goes back to its roots, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algarín, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Piñero; the rapid growth of the "slam" format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; and Bennett's own journey alongside his older sister, whose work to promote the form helped shape spaces online and elsewhere dedicated to literature and the pursuit of human freedom.

A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what--and whom--the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to cafés, schools, and rooms full of strangers all across the world.

Malcolm Macarthur was a well-known Dublin socialite. Suave and urbane, he passed his days mingling with artists and aristocrats, reading philosophy, living a life of the mind. But by 1982, his inheritance had dwindled to almost nothing, a desperate threat to his lifestyle. Macarthur hastily conceived a plan: He would commit bank robbery, of the kind that had become frightfully common in Dublin at the time. But his plan spun swiftly out of control, and he needlessly killed two innocent civilians. The ensuing manhunt, arrest, and conviction amounted to one of the most infamous political scandals in modern Irish history, contributing to the eventual collapse of a government.

Winner of the Wellcome and Rooney Prizes, Mark O'Connell spent countless hours in conversation with Macarthur--interviews that veered from confession to evasion. Through their tense exchanges and O'Connell's independent reporting, a pair of narratives unspools: a riveting account of Macarthur's crimes and a study of the hazy line between truth and invention. We come to see not only the enormity of the murders but the damage that's inflicted when a life is rendered into story.

At once propulsive and searching, A Thread of Violence is a hard look at a brutal act, its subterranean origins, and the long shadow it casts. It offers a haunting and insightful examination of the lies we tell ourselves--and the lengths we'll go to preserve them.

In 1785, when the great German poet Friedrich Schiller penned his immortal "Ode to Joy," he crystallized the deepest hopes and dreams of the European Enlightenment for a new era of peace and freedom, a time when millions would be embraced as equals. Beethoven's Ninth Symphony then gave wing to Schiller's words, but barely a century later these same words were claimed by Nazi propagandists and twisted by a barbarism so complete that it ruptured, as one philosopher put it, "the deep layer of solidarity among all who wear a human face."

When it comes to how societies remember these increasingly distant dreams and catastrophes, we often think of history books, archives, documentaries, or memorials carved from stone. But in Time's Echo, the award-winning critic and cultural historian Jeremy Eichler makes a passionate and revelatory case for the power of music as culture's memory, an art form uniquely capable of carrying forward meaning from the past.

With a critic's ear, a scholar's erudition, and a novelist's eye for detail, Eichler shows how four towering composers--Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich, and Benjamin Britten--lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving, transcendent works of music, scores that echo lost time. Summoning the supporting testimony of writers, poets, philosophers, musicians, and everyday citizens, Eichler reveals how the essence of an entire epoch has been inscribed in these sounds and stories. Along the way, he visits key locations central to the music's creation, from the ruins of Coventry Cathedral to the site of the Babi Yar ravine in Kyiv.

As the living memory of the Second World War fades, Time's Echo proposes new ways of listening to history, and learning to hear between its notes the resonances of what another era has written, heard, dreamed, hoped, and mourned. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the renewed promise of art for our lives today.

An unmatched guide to the religious dimensions of American politics, Jeff Sharlet journeys into corners of our national psyche where others fear to tread. The Undertow is both inquiry and meditation, an attempt to understand how, over the last decade, reaction has morphed into delusion, social division into distrust, distrust into paranoia, and hatred into fantasies--sometimes realities--of violence.

Across the country, men "of God" glorify materialism, a gluttony of the soul, while citing Scripture and preparing for civil war--a firestorm they long for as an absolution and exaltation. Lies, greed, and glorification of war boom through microphones at hipster megachurches that once upon a time might have preached peace and understanding. Political rallies are as aflame with need and giddy expectation as religious revivals. At a conference for incels, lonely single men come together to rage against women. On the Far Right, everything is heightened--love into adulation, fear into vengeance, anger into white-hot rage. Here, in the undertow, our forty-fifth president, a vessel of conspiratorial fears and fantasies, continues to rise to sainthood, and the insurrectionist Ashli Babbitt, killed on January 6 at the Capitol, is beatified as a martyr of white womanhood.

Framing this dangerous vision, Sharlet remembers and celebrates the courage of those who sing a different song of community, and of an America long dreamt of and yet to be fully born, dedicated to justice and freedom for all. Exploring a geography of grief and uncertainty in the midst of plague and rising fascism, The Undertow is a necessary reckoning with our precarious present that brings to light a decade of American failures as well as a vision for American possibility.

The shocking inside story of the struggle for power and control at Paramount Global, the multibillion-dollar entertainment empire controlled by the Redstone family, and the dysfunction, misconduct, and deceit that threatened the future of the company, from the Pulitzer Prize-winning journalists who first broke the news.

In 2016, the fate of Paramount Global--the multibillion-dollar entertainment empire that includes Paramount, CBS, MTV, Nickelodeon, Showtime, and Simon & Schuster--hung precariously in the balance. Its founder and head, ninety-three-year-old Sumner M. Redstone, was facing a very public lawsuit brought by a former romantic companion, Manuela Herzer--a lawsuit that placed Sumner's deteriorating health and questionable judgment under a harsh light.

As one of the last in a long line of all-powerful media moguls, Sumner had been a relentlessly demanding boss, and an even more demanding father. When his daughter, Shari, took control of her father's business, she faced the hostility of boards and management who for years had heard Sumner disparage her. Les Moonves, the popular CEO of CBS, felt particularly threatened and schemed with his allies on the board to strip Shari of power. But while he publicly battled Shari, news began to leak that Moonves had been involved in multiple instances of sexual misconduct, and he began working behind the scenes to try to make the stories disappear.

Unscripted is an explosive and unvarnished look at the usually secret inner workings of two public companies, their boards of directors, and a wealthy, dysfunctional family in the throes of seismic changes, from the Pulitzer Prize-winning journalists James B. Stewart and Rachel Abrams. Through the microcosm of Paramount, whose once victorious business model of cable fees and ticket sales is crumbling under the assault of technological advances, and whose workplace is undergoing radical change in the wake of #MeToo, Black Lives Matter, and a distaste for the old guard, Stewart and Abrams lay bare the battle for power at any price--and the carnage that ensued.

Born in 1945, Ruth J. Simmons grew up the twelfth child of sharecroppers. Her first home had no running water, no electricity, no books to read. Yet despite this-or, in her words, because of it-Simmons would become one of America's preeminent educators. The former president of Smith College, Brown University, and Prairie View A&M, Texas's oldest HBCU, Simmons has inspired generations of students as she herself made history.

In Up Home, Simmons takes us back to Grapeland to show how the people who love us when we are young shape who we become. We meet her caring, tireless mother who managed to feed her large family with an often-empty pantry; her father, who refused to let racial and economic injustice crush his youngest daughter's dreams; the doting brothers and sisters; and the attentive teachers who welcomed Ruth into the classroom, guiding her to a future she could hardly imagine as a child.

From the farmland of East Texas to Houston's Fifth Ward to New Orleans at the dawn of the civil rights movement, Simmons depicts an era long gone but whose legacies of inequality we still live with today. Written in clear and timeless prose, Up Home is both an origin story set in the segregated South and the uplifting chronicle of a girl whose intellect, grace, and curiosity guide her as she creates a place for herself in the world.

On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty's Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as "the prize of all the oceans," it had wrecked on a desolate island off the coast of Patagonia. The men, after being marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing nearly 3,000 miles of storm-wracked seas. They were greeted as heroes.

But then ... six months later, another, even more decrepit craft landed on the coast of Chile. This boat contained just three castaways, and they told a very different story. The thirty sailors who landed in Brazil were not heroes - they were mutineers. The first group responded with countercharges of their own, of a tyrannical and murderous senior officer and his henchmen. It became clear that while stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death--for whomever the court found guilty could hang.

The Wager is a grand tale of human behavior at the extremes told by one of our greatest nonfiction writers. Grann's recreation of the hidden world on a British warship rivals the work of Patrick O'Brian, his portrayal of the castaways' desperate straits stands up to the classics of survival writing such as The Endurance, and his account of the court martial has the savvy of a Scott Turow thriller. As always with Grann's work, the incredible twists of the narrative hold the reader spellbound.

One by one, Tahir Hamut Izgil's friends disappeared. The Chinese government's brutal persecution of the Uyghur people had continued for years, but in 2017 it assumed a terrifying new scale. The Uyghurs, a predominantly Muslim minority group in western China, were experiencing an echo of the worst horrors of the twentieth century, amplified by China's establishment of an all-seeing high-tech surveillance state. Over a million people have vanished into China's internment camps for Muslim minorities.

Tahir, a prominent poet and intellectual, had been no stranger to persecution. After he attempted to travel abroad in 1996, police tortured him until he confessed to fabricated charges and sent him to a re-education through labor camp. But even having endured three years in the camp, he could never have predicted the Chinese government's radical solution to the Uyghur question two decades later. Was the first sign when Tahir was interrogated for hours after a phone call with a fellow poet in the Netherlands? Or when his old friend was sentenced to life in prison simply for calling for Uyghurs' legal rights to be enforced? Perhaps it was when the police seized Uyghurs' radios and installed jamming equipment to cut them off from the outside world.

Once Tahir noticed that the park near his home was nearly empty because so many neighbors had been arrested, he knew the police would be coming for him any day. One night, after Tahir's daughters were asleep, he placed by his door a sturdy pair of shoes, a sweater, and a coat so that he could stay warm if the police came for him in the middle of the night. It was clear to Tahir and his wife that fleeing the country was the family's only hope.

Waiting to Be Arrested at Night is the story of the political, social, and cultural destruction of Tahir Hamut Izgil's homeland. Among leading Uyghur intellectuals and writers, he is the only one known to have escaped China since the mass internments began. His book is a call for the world to awaken to the unfolding catastrophe, and a tribute to his friends and fellow Uyghurs whose voices have been silenced.

From the author of The Genius of Birds and The Bird Way, a brilliant scientific investigation into owls--the most elusive of birds--and why they exert such a hold on human imagination.

For millennia, owls have captivated and intrigued us. Our fascination with these mysterious birds was first documented more than thirty thousand years ago in the Chauvet Cave paintings in southern France. With their forward gaze and quiet flight, owls are often a symbol of wisdom, knowledge, and foresight. But what does an owl really know? And what do we really know about owls? Though our fascination goes back centuries, scientists have only recently begun to understand in deep detail the complex nature of these extraordinary birds. Some two hundred sixty species of owls exist today, and they reside on every continent except Antarctica, but they are far more difficult to find and study than other birds because they are cryptic, camouflaged, and mostly active in the dark of night.

Jennifer Ackerman illuminates the rich biology and natural history of these birds and reveals remarkable new scientific discoveries about their brains and behavior. She joins scientists in the field and explores how researchers are using modern technology and tools to learn how owls communicate, hunt, court, mate, raise their young, and move about from season to season. We now know that the hoots, squawks, and chitters of owls follow sophisticated and complex rules, allowing them to express not just their needs and desires but their individuality and identity. Owls duet. They migrate. They hoard their prey. Some live in underground burrows; some roost in large groups; some dine on black widows and scorpions. Ackerman brings this research alive with her own personal field observations about owls and dives deep into why these birds beguile us. What an Owl Knows is an awe-inspiring exploration of owls across the globe and through human history, and a spellbinding account of their astonishing hunting skills, communication, and sensory prowess. By providing extraordinary new insights into the science of owls, What an Owl Knows pulls back the curtain on the nature of the world's most enigmatic group of birds.

At the end of summer 2017, Anna Funder found herself at a moment of peak overload. Family obligations and household responsibilities were crushing her soul and taking her away from her writing deadlines. She needed help, and George Orwell came to her rescue.

"I've always loved Orwell," Funder writes, "his self-deprecating humour, his laser vision about how power works, and who it works on." So after rereading and savoring books Orwell had written, she devoured six major biographies tracing his life and work. But then she read about his forgotten wife, and it was a revelation.

Eileen O'Shaughnessy married Orwell in 1936. O'Shaughnessy was a writer herself, and her literary brilliance not only shaped Orwell's work, but her practical common sense saved his life. But why and how, Funder wondered, was she written out of their story? Using newly discovered letters from Eileen to her best friend, Funder re-creates the Orwells' marriage, through the Spanish Civil War and the Second World War in London. As she peeks behind the curtain of Orwell's private life she is led to question what it takes to be a writer--and what it is to be a wife.

A breathtakingly intimate view of one of the most important literary marriages of the twentieth century, Wifedom speaks to our present moment as much as it illuminates the past. Genre-bending and utterly original, it is an ode to the unsung work of women everywhere.

From journalist Paul Kix, the riveting story, never before fully told, of the 1963 Birmingham Campaign--ten weeks that would shape the course of the Civil Rights Movement and the future of America.

It's one of the iconic photographs of American history: A Black teenager, a policeman and his lunging German Shepherd. Birmingham, Alabama, May of 1963. In May of 2020, as reporter Paul Kix stared at a different photo-that of a Minneapolis police officer suffocating George Floyd-he kept returning to the other photo taken half a century earlier, haunted by its echoes. What, Kix wondered, was the full legacy of the Birmingham photo? And of the campaign it stemmed from?

In You Have To Be Prepared To Die Before You Can Begin To Live, Paul Kix takes the reader behind the scenes as he tells the story of the Southern Christian Leadership Conference's pivotal 10 week campaign in 1963 to end segregation in Birmingham, Alabama. At the same time, he also provides a window into the minds of the four extraordinary men who led the campaign--Martin Luther King, Jr., Wyatt Walker, Fred Shuttlesworth, and James Bevel. With page-turning prose that read like a thriller, Kix's book is the first to zero in on the ten weeks of Project C, as it was known--its specific history and its echoes sounding throughout our culture now. It's about Where It All Began, for sure, but it's also the key to understanding Where We Are Now and Where We Will Be. As the fight for equality continues on many fronts, Project C is crucial to our understanding of our own time and the impact that strategic activism can have.